To what extent is musical taste governed by society Essay

To what extent is musical taste governed by society - Essay ExampleThrough historical study of music, it is clear that music was suasion as endanger to societal moral standards of Europe. However later it was realised that music also upholds a spiritual dimension and quality music has the ability to provoke suppressed religious feelings (McLeod, 1996, p. 17).In this paper, we would analyse music as a magnum opus in the context of historical, pagan and educational significance. How its evolution as an art, closely connected with various trends of our Western civilization Music in different stages has not only permitted but has enforce the application of the so-called historical method which aims at describing the single work of art as a product of the creative mind of a composer or the creative tendencies of a school of composers who remain anonymous.History has reshaped internationally the outlook of music in this era and to many musicians it has harmonised the study and perform ance of music, therefore distinctive styles are disappearing. The last(prenominal) has also given us a unique concept of national identity that concerns not only the ways in which composers wrote their music, influenced by considerations such as tradition, function, social context and even language, but also its performance. Music has not limited itself to extending aspects of instrument construction and sound ideal.While considering an example of seventeenth degree centigrade music in Italy, it is obvious that re returnation and excitation of the emotions fostered were quite contrary to earlier practice, involving emotional flavour on the model of speech. Although the Italian languages free expression resulted in the music taking second place to the drama in opera, the unimaginative Italian style of presentation encouraged a trend towards virtuosity in instrumental music. With the passage of time, as Italian music adopted more formal manner of expression, its manner of presentat ion remained capricious and rich in fantasise (Lawson & Stowell, 1999, p. 43). This way one can see Italian music maintained its national identity, while modernising the social values of music.Music rhetoricRelationships that exist in the midst of different musical works enjoy composition among those parts. For example a theme is composed of tones and phrases a work entails certain themes and is a discourse, of phrases (Frances & Dowling, 1988, p. 134). Since themes and work present as an approximate character of such relationships that has often been noted and attributed to a variety of reasons. First the reason that thought is external to language and that verbal thought can only designate objects and their relations while musical thought embodies its objects in tones on which it strictly depends. Second is the reason that verbal relationships, the ordering of propositions and the successiveness of phrases are of a logical order, whereas musical discourse is of a perceptual ord er. What our contemporary society perceives music is the encompassing of activities implied in the comprehension of musical rhetoric to be connected with those of sensory intelligence. It is music that has enabled twentieth century psychology to contribute to the expansion of the domain of thought in the direction of perceptual organisation. For instance, thinking of events and link up them to the source of elaborate activities is what music is perceived in this society however in those activities one can found biological factors of motivation, psychological activities, pathological aspects etc. Music, art and societySociety has always attached great symbolic meanings and sentiments to music.